One thing I've not really talked about much here is improvisation. Last week I gave you a drill to improvise emphasis with, and next week I'll talk specifically about some things to think about if you're uncomfortable improvising. But, partly due to my lack of time this week, today we'll revisit paradiddles in preparation for improvisation next week.
Focus: Grip, Form
Watch For:
1. Take a few moments to check your grip for small drums.
2. The down beat is not always the beat that's emphasized--keep track of it!
Okay, so back in drill 9 we talked about paradiddles, which is a basic straight beat that alternates sticking--RLRR LRLL. I suggested that you can use them to practice improvisation, but we didn't go into how to really do that.
If you're new to improvisation or don't quite feel comfortable with it, don't fret. It takes guts to just try it, knowing you'll mess up, but it's the only way to get better at it. Please review Drill 9 to refresh the version of paradiddles I taught. And we'll move forward step-by-step from next week to add improvisation.
For fun, here's an example of members from Shippu Uchi Daiko who were here from Japan improvising on top of paradiddles played by Seattle Kokon Taiko:
See you next week!
ReplyDeleteA handy hint on playing paradiddles with accuracy and fluidity
is to say out loud “Pa-ra-did-dle, pa-ra-did-dle” as you play.
This verbalisation will help keep your timing and perception of
the pulse under control.
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